Star Wars

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"A long time ago in a galaxy far, far away...."

– Star Wars opening text

Star Wars is one of, if not the, most influential media franchises of modern times, let alone its effect on science-fiction and fantasy. Indeed, among nerddom, it is challenged by only a few others, like Star Trek and The Lord of the Rings. The incredibly ardent fandom is spread worldwide and has a strong presence in popular culture. Many of the characters, like Darth Vader and Yoda, are iconic even to the general public. John Williams' score for the original trilogy is probably the best-known film score of all time. The universe has spawned numerous video games, hundreds of novels, multiple TV shows, one of the largest merchandising franchises ever, and, relevant to /tg/, a whole bunch of board, card, and roleplaying games.

It is also the current leading world source of Skub.

The Basic Concept

Star Wars was originally a series of epic science-fantasy "space operas" that roughly followed the mythic cycle that's been around since Homer, thanks mostly in part to being inspired by the novel analyzing the mythology of the entire human race called The Hero With a Thousand Faces. They're set "a long time ago in a galaxy far, far away," [Note: this makes the entire series a fairy tale] where a mysterious life force called (reasonably enough) the Force permeates everything. This, in turn, can be wielded by certain people, giving them pseudo-magical abilities; thank the Emperor (no, the other one) there were no Commissars in that universe. Those who use it for good become mystical, selfless warrior monks called Jedi, whereas those who use it for evil are ruthless, self-serving bastards called Sith. However, the Force must always be in balance, so any time the Sith arise to cause imbalance, the Jedi have to pull together and take them out to restore the natural order.

The so-called Original Trilogy (made up of films retroactively labeled as IV through VI, released from 1977 to 1983) followed a young man named Luke Skywalker who becomes a Jedi and re-balances the Force. Meanwhile, the Rebel Alliance is fighting to end the oppressive Galactic Empire, which is secretly led by the Sith. Luke and his Rebel companions eventually defeat the evil Emperor Palpatine, but along the way they discover that his lieutenant, Darth Vader, is actually Luke's father. A financial, critical, popular and cultural H-bomb, these movies are basically the filter through which Generation X perceives the world... for better or worse.

The so-called Prequel Trilogy (made up of films I through III, released from 1999 to 2005) explained how Anakin Skywalker became Darth Vader and how the Galactic Empire was established. This involves a lot of convoluted politicking in the Republic, which is then torn apart in the Clone Wars, where the Republic (with an army of clones led by the Jedi) fights against the Confederacy (with an army of robots led by General Grievous and secretly controlled by the Sith). It was not as well received as the first trilogy, for reasons we'll talk about below.

In the spaces between works, particularly the Original and Sequel trilogies, there was a very large number of novels, comic books, video games, and whatever else tells stories thanks to George Lucas giving rights to anyone to make anything and not really caring much since it wasn't his canon and was an easy paycheck. Collectively these are referred to as the "Expanded Universe" which is in many places contradictory, but mostly works together even if thematically all over the place. The EU is overwritten constantly by movies and mainstream projects, but sometimes is drawn from for future works. It covers pretty much everything not covered by the films, like the Old Republic (set thousands of years before the prequel trilogy, when there were a hell of a lot more Sith and Jedi around), the Republic (basically expanding on and explaining things seen in the Prequel trilogy), and the New Republic (set immediately after the Original trilogy, explaining what became of all the characters. Also features the most insane shit like a sapient star, literal undead zombies, Force-less extra-galactic fanatical space cenobites, Droids with souls, and fucking Boba Fett the toy-centric background character as a messiah).

There's also a so-called Sequel Trilogy (made up of film VII and presumably films VIII and IX), which started in 2015 and picked up the story some three decades after the Emperor's defeat with a new generation of heroes taking on the remains of the evil Empire, which is a group of extremist former Imperials calling themselves the First Order. However, Episode VII aka The Force Awakens, was written and directed by J.J. Abrams, who's mostly known for the skubtastic Star Trek reboot while Episode VIII was written and directed by Ryan Johnson who was a young director known for plot twists and genre experimentation on a handful of movies and television episodes. The result managed to fracture the Star Wars fanbase over issues of dull rehashing for VII and a whole laundry list of reasons for VIII (ranging from small ones such as it being too different, to major issues like half the movie being filler), as well as those who still enjoyed them and very little common ground between the three groups.

Finally, there are the so-called Anthology movies, standalone one-shots involving characters and plotlines that aren't a part of the main "Saga" films, except they kind of are. The first, Rogue One (2016), is an immediate prequel to Episode IV that follows those Rebel spies who stole the Death Star plans. The second film follows a young Han Solo and pals Chewie and Lando. A third rumored one follows Boba Fett.

There are also four separate TV series. The first one, Clone Wars, was based on traditional animation, whereas the later one, The Clone Wars, was a weird 3D animation. They're both pretty good. There was also a terrible theatrical release that was basically just an advertisement for The Clone Wars, but, since it's even worse than the Prequel Trilogy (hint: babysitting Jabba the Hutt's kid), nobody talks about it much. The third series is Disney's "Rebels" which is set between Episodes III-IV and it takes itself far less seriously than Clone Wars did, and is more of a homage to the original trilogy since not every character in the series is the owner of a lightsaber nor are they constantly talking about grown-up politics, senators and trade embargoes... pretty much the things that clogged up the plot of the prequel trilogy. The fourth series is called Resistance and continues to be the same feel and purpose of the previous two cartoons but for the Sequel trilogy, leading directly into the first movie and doing all the establishing work that wasn't in the movie and was explained in tie-in books nobody wants to read to understand the context for what is happening in the movie.

The EU is no longer considered in the main canon of the films and TV series (technically it never was due to Lucas saying only his projects, meaning the movies and Clone Wars cartoon, were canon, but we liked to pretend it was canon anyway), due to the new Sequel trilogy which does not follow EU, the reason for this being, according to Disney, that following EU would restrict their creative freedom. The reaction to this was, well, mixed, for lack of a better word. They've since noted that they'll slot some of it in on a case-by-case basis, but the canon is in a highly fluid state at the moment. EU is now officially called Star Wars Legends, though most fans still refer to it as EU. As time goes on it seems to be the basis for new canon but is not adhered to, serving instead as inspiration be it for entire characters who are almost unchanged in new stories or recycling ship designs.

Why was it so popular?

Star Wars is as accessible as science fiction gets. It doesn't require extensive knowledge of a fictional world (a la The Lord of the Rings) or cultural background (as Star Trek sometimes does) to make sense. Those elements are present for those who want them, but they stay in the (very rich and vibrant) background. It has well-shot action and good enough dialogue to make it interesting for both kids and adults (as well as allowing parents who grew up with it to watch it with their children, thereby hooking the next generation of viewers). It has simple, good-vs.-evil themes that resonate with almost anyone, anywhere, at any time. The science fiction elements are generally handled well if you don't obsess over making science fiction realistic and hard. It's a prime gateway drug for sci-fi which still holds up to the experienced eye, Isaac Asimov saw and rather enjoyed the films. All in Fourteen hours of cinema, plus optional sides for those who want it.

There's a ton of merchandise that is, of course, really cool. Also, given it's crossed over into the mainstream, many people feel comfortable being part of the community without feeling judged as "nerds" (as they might with Lord of the Rings, D&D, Star Trek, Warhammer, etc.).

Again, they roughly follow the mythic cycle that's been around since Homer. If you think about it, 4 of the 7 films can be summarized as: hero begins his journey under the tutelage of a wise (more or less) man, they encounter a threat which has captured/enslaved a princess/girl, who was in one way or another connected to an important secret (usually a superweapon but could be the identity of a political figure or the location of someone); the heroes save the princess/girl but someone dies tragically in a battle against the villain while someone else is blowing up a space station or a spaceship afterwards they are happy, they celebrate and mourn the loss of the poor bloke who died.

Additionally, the first film can be summarized as a samurai and a gunslinger team up to save a princess from Nazis in space. That is multiple cinematic genres at once, following the style of the epic myth.

Characters

Pre-Disney

  • Luke Skywalker: All-round good guy and idealist, despite being a complete idiot, Luke wishes to learn the ways of the Force to defeat the Emperor and save the galaxy. A Jedi prodigy, he can lift heavy ton space fighters with just his force powers, though he struggles with doubts. Although he starts all brash and teenage and shit, by the conclusion of the trilogy, Luke is well on the way to becoming a wise and powerful Jedi ready to rebuild the Order. Then he ends up training Kylo fucking Ren and becomes a grumpy old man who just wants the Jedi Order to die with him since he's been disillusioned in people not being shitty now that his shitty-feeling self is considered the least shitty person in the universe. It takes a direct Force-powered intervention from Leia as well as Yoda's Force ghost telling him "don't worry, we both fucked up and the kids still love our toys legends" to get him to nut the fuck up and help stop the First Order by embarrassing Kylo Ren in front of everyone. Yoda also trolled Luke from beyond the grave once more, destroying the tree which supposedly contained the last books about the Jedi code and history which turns out to be because Rey had already stolen said books and the destruction of the tree prevented Luke from discovering that fact, ensuring the Jedi will continue regardless of Luke's faith crisis. In the original EU, Luke was FAR more successful and trained many generations of Jedi including his niece (future Empress of a reformed Empire) and non-evil (although he came close a few times) nephew, destroyed massive remnants of the Empire over and over again, killed the fucking Emperor over and over again, fought off space Cenobites that almost destroyed the galaxy, blew up more Death Star-type things, killed a god made of crystals (we don't like to talk about that one), and hooked up with the Emperor's own hot red-headed assassin.
  • Han Solo: Dashing rogue and space cowboy who somehow shoots his way out of debt to the mob, ends up a general, and bags himself a princess. Not a bad series' work. His ship, the Millennium Falcon, deserves a mention too for being as iconic as he is. Unfortunately his actor Harrison Ford always went back and forth on wanting to continue the franchise, mostly because he thoroughly hated Solo and wanted him to die pretty much from day one, only to be thwarted in Empire and again in Jedi by the character's popularity. Ford agreed to return for Episode 7 when Disney finally gave him his wish, having Solo fail to redeem his son Ben (named after an crazy old man he only knew for a few hours) and getting a metaphorical and literal lightsaber through the heart for it. In pre-Disney continuity he was once a Swoop (flying motorcycle) racer turned Imperial Officer who shot his superior that was beating a Wookie to death and gained a lifelong friend in Chewbacca, post-Disney origin is covered in a solo movie named Solo. It's... well, see below.
  • Princess Leia: The regulation piece of lady crumpet in the movies, Princess Leia was a leader in the rebel alliance and (spoiler!) Luke's long lost twin sister. Also both a capable soldier and politician. Her being forced to wear a metal thong by an overweight space slug named Jabba the Hutt has since cemented her role as sex idol to legions of adoring fan boys, while her general door-kicking deadshot sarcastic asskickery made her a feminist icon as well (this was back in the 80's when the two could be the same). With her home planet and entire adoptive family destroyed by the Death Star, she became a General although somehow retained her princesshood (yes, she's now a Disney Princess), and went on to become a full-on Jedi warrior in the pre-Disney EU. Not in the new canon though. She manages to somehow survive getting shot into space using her latent force abilities in TLJ, probably the most ridiculous part of the film. Unfortunately thanks to the death of her actress Carrie Fisher (given the amount of cocaine and partying she's done over the years it was amazing she lived as long as she did) Leia will have to die offscreen between Episode 8 and Episode 9...unless they do an uncanny valley CG model again.
  • C-3P0 and R2-D2: Two robots trapped in a sexless gay marriage who are the only minor characters to have been in all the movies so far, and even in stories like The Old Republic outside of their millennia of existence will usually have an equivalent. C-3P0 is the shiny golden humanoid robot who constantly fusses about keeping the furniture clean and worries that his pies are getting overdone in the oven while R2-D2 is the brash, brave husband figure who swings into action regardless. He looks like a salt shaker next to the Dalek's pepper shakers, although is he more a plucky rabbit to their rabid wild cats. The robots mostly have comedy roles in the movies, since they might threaten to upstage the human actors if they became too useful, though R2 has an electric cattle prod and serves as the party's computer skillmonkey, while C-3P0 saves the day with his mad linguistic skillz at least once per film in the original trilogy. They starred in their own cartoon series that was surprisingly good. After the original trilogy in both pre/post Disney continuity the writers don't seem to know what to do with them, and they just randomly appear sometimes.
  • Chewbacca: The original furry in space, the dog you can have a beer with in the space Winnebago. Nothing sexy about him; he is just hairy, huge, knows how to pilot a space ship, fix stuff, fire a gun, and generally get shit done which strangely makes him the coolest furry ever. Best friends with Han, has a family that we can all agree did not appear in the terrible Christmas special that does not exist (he got a much more badass family in the Galactic Battlegrounds games, so go with that). Hates Trandoshans like all Wookies, since Trandoshans are almost always assholes and are particularly assholish to Wookies. In the pre-Disney continuity he was a slave that the then-Imperial Han saved and eventually get mooned to death by the extragalactic space cenobites, courtesy of R.A. Salvatore. In the post-Disney continuity he continues to be awesome and generally ignored in endings. The prequel trilogy revealed he's REALLY FUCKING OLD thanks to Wookie lifespan.
  • Lando Calrissian: Suave, charismatic, and an expert con artist, this guy is the original pirate king in space. He betrays Han and co. when Vader invades his city, later regrets it, and then atones by saving the cast from the Empire as well as the populace of his city at the same time, then helps save Han from the mafia, and finally leading the fleet that blows up the Death Star 2.0.
  • Obi-Wan Kenobi: If, at any point, in any work of fiction, the hero has an old master/father figure who teaches him part of what he knows, makes sure that he will grow up to be a virtuous and decent hero, but ultimately dies fighting a great evil to buy the hero time to escape, then returns as a spirit guide for the hero later, the Internet has probably accused that character of ripping off Obi-wan Kenobi. The prequels show him as a young Jedi and a deuterotagonist to Anakin Skywalker, acting as his master, teacher, partner, and dear friend before their eventual falling out ends with Anakin losing most of his major extremities and organs and Obi-wan hiding out in a cave waiting to turn into Alec Guinness.
  • Yoda: Ancient wise grand master of the Jedi Order who a tiny green alien is. Never named, his species was. Because of his size and age, most assumed just a harmless old teacher he was, your nice old granddad like. His pulling out a lightsaber and engaging a Sith Lord in combat at the end of Attack of the Clones, one of the most surprising and popular fights of the series is. Became a big franchise mascot he did, despite a surprise for the audience he was meant to be in his first appearance, ruining it for future generations. A unique way of speaking, he has. A very popular target for parody, it has become.
  • Darth Vader/Anakin Skywalker/"The Chosen One": The black-helmeted face of evil and the most well known villain from Star Wars (and arguably the most recognisable characters in cinema). Has become an iconic and memorable figure due to his menacing, robotic appearance and ultra-deep, wheezy respirator voice. He is (spoiler!) secretly Anakin, Luke's fallen Jedi father, thus allowing him to be able to say the most memorable line in the film series, "I am your Father!" Abaddon wishes he could be this sinister. His children eventually manage to rekindle the spark of human decency in his heart, and he redeems himself by giving up his own life to save them and destroy the Emperor. Hates sand. Fun Fact: his portrayal required four actors in the original trilogy: body, voice, face and a stunt double. Single-handedly rescues the entire spin-off film Rogue One with an incredible scene at the end.
  • Darth Sidious/Sheev "Can't Peeve the Sheev" Palpatine/The Emperor: A creepy old wrinkly dude who sits in his badass evil throne constantly screaming "Just as planned!" And occasionally frying fools with force lightning. Built a giant planet-destroying weapon, then built another, bigger one as a trap when the first one blew up. He is very clever, managing to scheme and outwit everyone in the prequel trilogy, moving them all into place so he could take over the galaxy (although he still needed a big superweapon anyway to hold onto said power). Chews so much scenery they had to resort to computer-generated imagery. He is the Senate.
  • Admiral Ackbar: Giant tactical fish who has the need to point out obvious traps in memetic fashion. Leads the rebel fleet in the third sixth film. Dies in the eighth.
  • Wedge Antilles: The anti-redshirt. Has almost no lines in the original movies but somehow survives all of them, even blowing up the second Death Star with Lando. In the EU he is one of, if not the best starfighter pilot in the galaxy, and co-founder of the über elite Rogue Squadron along with Luke.
  • Padmé Amidala: Darth Vader's waifu who spends most of the prequel trilogy being a hopeless pacifistic idealist (which makes her a hypocrite with all the fight scenes she's in.) Get's choked by Vader and dies giving birth to Luke and Leia, which ironically Vader was trying to prevent in the first place after seeing a vision. Way to go, dumbass. Haven't you read a work of fiction with that kinda prophecy in it before?
  • Jar-Jar Binks: Solely exists to fuck up everything (and we do mean EVERYTHING) at the worst possible moment. This guy is so hated by everyone in and out of universe that even Lucas shitcanned his role down into a very brief cameo at the end of Episode 3. He's actually something of a tragic figure representing someone good who tries to act to save the galaxy but ended up ruining it instead. He manages to be less of an annoying fuckup in the CGI Clone Wars series, though only just. The clones that get stuck with him from time to time can't stand him. There are rumors that he was originally going to be revealed as a villain but because of his poor reception, this idea was scrapped. People who dislike Episode 7 often refer to its director as Jar Jar Abrams. Got a depressing meta style sendoff in the Aftermath book after Disney got the rights (He became a clown all the adults hate for fucking up the Republic but all the kids find him funny. Get it?) which is a shame since it was hinted at in the Clone Wars series that he would marry a powerful alien queen who thinks he's a sex magnet. No really.
  • Jango and Boba Fett: Father and son, though the son is actually an unaltered clone of his father. Badass, mostly-silent mercs who get shit done and come from a line of Spartan/Viking/Māori warriors in space called Mandalorians. Sadly, both had very anticlimactic deaths, though Boba survived his in the EU, through the power of being too popular with the audience to kill permanently. (This became canon after Disney made the entire EU non-canon. Rumour has it Boba will be getting his own spin off movie.)
  • Jabba the Hutt: Obese slug who is a cross between a Mexican drug cartel kingpin and Mafia crime-boss. He runs his criminal enterprise from an old palace-monastery on Tatooine. A /d/eviant at heart, likes to fap to hot alien chicks dancing for him until they try to escape, then faps even harder when he feeds said chicks to Rancor. Gets strangled to death by a bikini-wearing Leia with her own chains, because symbolism.
  • Mace Windu: The original only black dude in space, he was the hardest-as-nails Jedi master of the council during the prequel trilogy and the best swordfighter in the Order, hence his unique purple lightsaber. That, and Sam Jackson wanted his own color to stand out. If Anakin hadn't interfered, he would have killed Darth Sidious and none of the original trilogy would have taken place. His subsequent anti-climatic death in the movie is regarded with annoyance by his fans. His mastery of the Force allows him to channel his anger and enjoyment of battle into his combat style without being corrupted by the Dark Side. He can also detect what he calls "shatterpoints", which lets him detect weaknesses to either mess people up in combat or exploit the "for want of a nail" proverb to turn situations to his side. Has a novel, Shatterpoint, which is pretty much Heart of Darkness IN STAR WARS. Was rumoured to be Disney’s wannabe Emperor, Supreme Leader Snoke, before *SPOILERS!* Ben Solo Kylo Ren killed him, so no one really cares now.
  • Qui-Gon Jin: Liam Neeson as a Jedi. He was the only one smart enough to recognize a Sith plot, and would've uncovered and exposed Palpatine if it weren't for Darth Maul's sword going through his gut. Was the master of Obi-Wan, and tried to teach Anakin the basics from beyond the grave.
  • Count Dooku: An elegant, charismatic, gentlemanly Sith lord and master fencer who had dreams of liberating the galaxy from Republic control, but didn't expect his partner in crime to be a backstabbing douchebag. Hates Anakin/Vader for not being a gentleman.
  • Darth Maul: Horned Sith only concerned with bloodshed and fighting. He'd do well as a Khornate Champion. Had his legs cut off then was brought back more badass than ever, until he was utterly stomped by the Emperor then gets killed in a duel with an elderly Obi-wan almost 18 years later. Wields a sick-looking double-bladed lightsaber, doesn't actually gets a single line in the first film dubbed in by a different actor, and played by famous martial arts master Ray Park. He was a silent badass in the movie but for some reason he was made very talkative in the animated series. The EU gave him a backstory as the scion of a race of Sith-aligned Force witches that The Clone Wars later made canon. The director of Solo picked him out of a hat to be the leader of the nefarious criminal gang Han gets stuck working with.
  • General Grievous: A cyborg even more fucked up than what Darth Vader would become, Grievous was the Supreme Commander of the Droid Army during the Prequels and the Clone Wars TV series (both versions), and a sadistic Jedi hunter. His competence is usually portrayed two totally different ways; in the 2D animated TV series (created by the same guy who made Samurai Jack), he is portrayed as an unstoppable killing machine who roflstomps experienced Jedi Masters, and is only bested by Mace "The Ace" Windu. In the CGI series and the third film, he is an incompetent, frothing loony with a record of failure that even Abbadon would laugh at hysterically. Actually has a somewhat-tragic past: he was a great and virtuous hero on his primitive planet, but when the Separatists harvested his shredded body to repurpose into their general/assassin, Dooku had those parts cut out of his brain until only the raging killer was left.
  • Stormtroopers: The elite soldiers of the Galactic Empire. Originally, these soldiers were vat clones of Jango Fett cloned in large numbers, trained from birth in combat and clad in environmentally sealed suits of their famous gleaming white full body armor. After the rebels blew up the gene-banks, the Empire switched to an enlistment system. (Not having a good dental plan to bring in recruits, the First Order resorts to kidnapping children and raising them as soldiers to fill their mook quota.) Numerous sub-categories exist, specializing to operate in different environments (deserts, frozen tundra, zero gravity, underwater, etc.) and serve different roles (scouts, aerial jump-packers, heavy-weapons teams, etc.). They are unwaveringly loyal and obedient to their Empire, ruthless and brutally efficient foes in combat, and incredibly precise shots with their state-of-the-art weapons. Naturally, these qualities all go out the window when they encounter the protagonists, but that's life when you're wearing a helmet.

Post-Disney

  • Rey: Protagonist of the new trilogy. Most people either think she's a sloppily written Mary Sue and wish-fulfillment character for the writers' female-empowerment fetish or that she's a fine protagonist and the former group is just being salty about new things. People don't like Rey because she comes out of nowhere, from nothing (the damn movies even lampshade that), and yet right off the bat Rey can pilot the Falcon very well. She hasn't undergone the traditional Hero's Journey to earn her skills or develop her character, and many see natural talent and an innate well rounded personality as poor story telling in a fairy tale.
  • Finn: A First Order Stormtrooper (serial code FN-2187) who has doubts about the First Order after a battle where he has to shoot innocent civilians, ends up defecting to the Resistance, allowing him to actually aim worth a damn. An obvious token minority shoehorned into the film for diversity points, Finn ends up carrying The Force Awakens thanks to the acting talents of John Boyega. He probably would have made a much better main character than Rey because at least he has a fucking reason to go on a space adventure. He’s basically Kyle Katarn, only he didn’t get to steal the Death Star plans or become a Jedi. Finn unfortunately is a character without an arc, as discussed below.
  • BB-8: The R2-D2 replacement and mascot of the new trilogy. Poe's buddy robot, started out as the plot device that the First Order was after in The Force Awakens, saves Finn and Rose's asses twice by taking down prison guards and piloting an AT-ST to attack Stormtroopers in The Last Jedi as well as Poe's in the comic.
  • Poe Dameron: An X-Wing pilot and one of the best pilots in the Resistance who gave Finn his nickname. Poe is the son of an ace pilot and an elite Rebel soldier, who was seemingly conceived in an Ewok hut during the Yubyub song and grew up with a holy Force tree in his yard that was a gift from Luke. Gets captured by the First Order but gets rescued by a defecting Finn and they both escape using a TIE Fighter. Assumed dead by Finn after crashing the TIE Fighter, though ends up coming back shooting down an entire squadron of TIE Fighters. Its never really stated why did he leave Finn behind in the crash site, how did he leave the planet or why did he pretty much abandon his mission of trying to find BB-8. As such he's barely in The Force Awakens. This is because the original script George Lucas proposed for Force Awakens used Poe as a means of Finn escaping, whereupon Finn takes it on himself to complete Poe’s last mission and eventually replace Poe in the Resistance. After Poe’s actor lamented that he dies in every movie, Poe was made to survive the crash and Finn gained a fearful coward who becomes a hero subplot, which unfortunately left both characters with nowhere to go for character arcs. Poe is far more important in The Last Jedi, but not in good ways. He disobeys orders and leads an attack on a First Order capital ship which not only results in the destruction of most of the surviving Resistance small fighters, but delays their escape long enough for the First Order flagship (so large it is essentially a giant capital city for the First Order) to catch up with them and massacre the Resistance. Poe then mutinies when the now-comatose Leia’s subordinate Holdo is put in charge of the Resistance (Ackbar was killed before that because his Voice Actor died, leaving Holdo as highest ranking officer) to enact his own plan using Finn...which fails, resulting in the deaths of most of the rest of the Resistance and the loss of their last capital ship. Poe’s counterattack also fails, and by the end its only thanks to Rey and Luke that anyone survives. By the end, there’s barely enough Resistance left to fill up the Millennium Falcon, although the First Order got it just as bad thanks to Holdo’s last act. In short: Poe is Magnus the Red tier of fuckups (for the same reason too, not being trusted with the truth but with even less justification). If Poe hadn't had the dreadnought destroyed. It would have with ease one-shot their ships and their base if they would have even got there. Not to mention that the bombers where the worst designed starships to date. No big loss there. In other words, he is the only reason they survived.
  • Maz Kanata: A cartoon Chinese grandma orange alien who knows a lot about the Force. In her backstory she was a Force-sensitive that’s somewhere in Yoda-tier age, but was never trained as a Jedi and instead used her talents to survive among the “third faction” (Hutts, smugglers, mafias, Mandos) while remaining as friendly to the “light side” factions as Hutts are to the “Dark Side” factions. Apparently also a supreme badass, judging from her brief appearance in TLJ. She procured Anakin’s/Luke’s blue lightsaber from the depths of the Bespin gas giant simply because she wanted it, and gave it to Rey in Force Awakens as well as some grandmotherly advice to her and Rey. She appears briefly to give the heroes contact information for a codebreaker in The Last Jedi.
  • Kylo Ren: A Dark Jedi who is actually the son of Han and Leia, Ben Solo, which the Internet absolutely refused to shut up about after it was leaked. He idolizes his grandfather, Darth Vader and wears a black suit and a mask to show this. He wields a unique crossguard lightsaber. People thought he would be a badass after seeing the trailers but after seeing the movie, he turned out to be a complete pussy who very often gets temper tantrums and gets his ass kicked by a teenage girl (though to be fair, if he had been a complete badass, everyone would’ve just complained that he was a rehash of Vader. So, you know, rock and a hard place). His name is something of a question mark, considering that most fans associate the name with Obi-Wan but Leia never met him and to Han, he was little more than a customer whom he knew for less than 24 hours. Would have made perfect sense for Luke to name his son Ben, which he did in EU but for Han and Leia it makes little sense (their older son was named Jacen, the younger son the cringeworthy Anakin in the EU; Kylo is far more similar to the constantly Dark Side tempted Jacen than Anakin, who dies young alongside Chewie). Kylo's character became significantly more fleshed out in TLJ, ironically making him one of the only characters to have actual development in the whole movie, and he has managed to win over many fans, with some citing him as probably the most interesting character in the Sequels.
  • Snoke: Supreme Leader of the First Order who speaks to his underlings through a massive hologram. Very little is known about him at the moment. Though many fan theories say that he is Darth Plagueis, the old master of Palpatine who was assumed dead, the powers that be have repeatedly denied the theory (though it's admittedly a better guess than suggesting that Snoke is Mace Windu, Boba Fett, or a clone of Darth Vader, which we would like to stress are actual fan theories)...unfortunately, we will have to wait for an inevitable comic book or novel to explain it, since he gets killed like a chump by his own servant, Kylo "Emofag" Ren. It is possible he may return given that the ring on his finger has inscriptions that translate to various rephrasing of “survive death”, but that may actually be a nod to Palpatine’s EU resurrections.
  • General Hux: The First Order's Tarkin equivalent and a moustacheless ginger Hitler in space. Delivers a pretty cool speech, but can't fight to save his life.. The backstory for Hux is his father was an Imperial hero, and Hux wants to be the First Order version of his old man and lead the FO to a final victory. Hux openly dislikes Kylo Ren and has frustration with the Force-users borders on meta at times. Spends most of TLJ as a foil to the edgier and more toyetic bad guys, but he seems to be the only one to have noticed how impractical the Empire/FO's fuckhuge weaponry can be when you're fighting something smaller than a planet and have lost the element of surprise.
  • Captain Phasma: A First Order operative in charge of instructing the new Stormtrooper legions, Phasma serves as the Boba Fett of TFA - which is to say that she does nothing of note other than stand around and look cool until she figuratively and literally gets thrown into the trash in Force Awakens. Lucasfilm have apologized for overadvertising the character in the lead-up to the film and have promised to give Phasma an actual role and backstory for TLJ that will play into Finn's story. (This turned out to be bullshit due to the fucked-up nature of TLJ's production, but the reshoots managed to give her a good showing anyway.) Her backstory was released in a novel where she was a tribal on a planet the Empire stripped into the stone age, who backstabbed her tribe for a stronger tribe, backstabbed her second tribe and brother to rescue a stranded Imperial officer and join the Empire, backstabbed her mentor to become the supreme commander of the Stormtrooper Corps in the First Order, then in the comic series she was shown to have survived the trash compactor when a Resistance bomb blew it up and she entirely disregarded everything (including saving Starkiller Base or Kylo Ren) to frame one of her subordinates for lowering the shields then promptly hunted him down to “bring him to justice”. So she’s a spear-wielding backstabber extraordinaire.
  • FN-2199/"TR-8R": a First Order Stormtrooper who wields a badass riot baton in combat. Notable only for two reasons; he shouts "Traitor!" at Finn, and then he kicks his punk ass despite the latter wielding a fucking lightsaber. Such is the stuff that memes are made of. Even if he goes out like a punk to Han Solo, by all accounts, FN-2199 is what Phasma should have been. He would make a great commissar.
  • Jyn Erso: A former member of the Space Taliban who is captured by the Rebels so they can talk to Space Bin Laden about rumors of a planet killer being fueled by Space Iraqi oil crystals, one that was partially designed by her father. Jyn is angry all of the time because her life sucks, she watches every parental figure in her life die in front of her, most of them over the period of a single day, and the movie hopes this will hide the fact that she really doesn't do much other then flip authority figures the bird. Her name mirrors that of Jan Ors, partner-in-crime of legendary badass Kyle Katarn.
  • Cassian Andor: A Rebel spy and assassin, Cassian angsts about the fact that he lives in a political thriller set mere days before the simple morality of the original trilogy kicks in. His only friend is a droid, but that's not exactly unusual. Shares an award with Luke for not getting the girl in the end. Kind of. The Disney Canon variant of Kyle Katarn, an Imperial officer turned Rebel turned Jedi Master, who is so badass he shaves with a lightsaber. A massive waste of character.
  • K-2S0: What C-3P0 would be if he grew a pair. A reprogrammed Imperial tactical droid and Cassian's only friend. Does that thing where he spits out survival odds in stressful moments. Caught a grenade in mid-air then tossed it back at it's original thrower without even looking. He dies first in order to establish that shit gets real in the last twenty minutes of the movie.
  • Chirrut Îmwe: Discount Jedi The real star of Rogue One. A blind martial artist who may or may not have force powers, can beat a squad of Stormtroopers with a staff, shoot TIE Fighters out of the air, and could take your girl if he wanted to. Haha, jk, he's totally homo for his bara partner-in-crime with the badass autocannon. Even his actor (from the badass "Ip Man" series) admitted that he was shoehorned into the movie in a desperate attempt to make China give a shit about Star Wars.
  • Baze Malbus: Chirrut's best mate and self-appointed bodyguard. Has three lines, but comes off as memorable because of his hellgun-looking backpack mounted autocannon with a scanvisor that lets him hold down the trigger and headshot stormtroopers until they are all dead. In early scripts Chirrut was his father figure, in the finished product they're ambiguously gay even though the director intended there to be a "finding peace with the pastor who heard his confession after a very grim life" vibe.
  • Orson Krennic: Director of the Imperial Military Research Division. Forces Jyn's father into building the Death Star for him, then proceeds to spend the rest of the movie getting roasted by the more competent Imperial characters because he's a fucking moron with a grudge.
  • Saw Gerrara: Originally a member of the Space Viet Cong, this guy doesn't fuck around. Torture civilians? Check. Massacre entire patrols of Imperials? Check. In fact, his methods were considered so extreme that even the Rebel Alliance wanted nothing to do with him. Strictly speaking, he's a pre-Disney character as his first appearance on-screen was as part of the Clone Wars TV series; his first episode airing the same month that Disney acquired the franchise, making him one of the few characters to make the transition from the small screen to the big screen. Though he gets deaded within the first 30 minutes of Rogue One he has a lot more of his back-story filled out in the Rebels TV series, including being played by actor Forest Whitaker.
  • Rose Tico: A maintenance worker who acts as a tagalong for some of the most boring and annoying parts of The Last Jedi. After losing her sister in the retarded cripplefight at the beginning of the movie (which never comes up except for one scene), she catches her idol Finn trying to desert ship in order to warn Rey not to rendezvous as they were chased by the First Order fleet. Figuring out a way to deactivate the First Order's tracking system, she tagged along with Finn to the Gilded Age planet to find the expert capable of helping them. Her lust for Finn's BBC drives her to cockblock his heroic sacrifice on Salt Hoth before confessing his love for him at the worst possible moment in a plot point that will likely go nowhere. Also delivers the worst line in the entirety of the franchise: "That's how we are going to win. Not fighting what we hate, saving what we love." This quantum singularity of AIDS led to a substantial fraction of TLJ's fan backlash being directed at her actress despite the problem being that all the parts of the movie she was involved in being written in the dark without any knowledge of the previous movie and shoehorned in by the lead writer/director to the plot he was handed. The movie leaves it vague whether she lives or dies after losing consciousness, possibly giving Disney, JJ Abrams, and the actress an out if the character isn't wanted for movie IX.
  • Qi'ra: Han Solo's old girlfriend and partner introduced in Solo: A Star Wars Story, filling in for a number of older EU characters. Grew up with Han on Corellia before getting forced into the Crimson Dawn, which is like the Mafia in space except run by Darth Maul instead of the Hutts. Helps Han survive an unobtainium deal gone bad, then backstabs her boss to become her gang's alpha dog and Maul's personal agent. Too bad this will probably never be followed up on outside of tie-in novels thanks to how bad the movie did. Technically now mob boss Maul's subordinate, but given we know Maul dies not too long after the story that won't matter unless the follow-up takes places immediately afterwards.
  • L3-37: While K-2S0 brought droid characters to an comedic high, L3-37 brings them to an embarrassing comedic low, becoming the most hated character in a Star Wars film since Jar Jar Binks for some, and a letdown disappointment of a great concept for others. A STRONG AND INDEPENDENT WOMXN WHO DON'T NEED NO MAN droid revolutionary leader that constructed a body for herself from spare parts, L3-37 is a woke robot feminist in space by direct admission of the writers, with everything that implies. Gets killed/destroyed in an escape attempt during a scene that is tonally dissonant with the one immediately preceding and following it (*laugh track* *stunned gasps* *laugh track*) but ends up as one of the droid brains running the Millennium Falcon (yes, the same computer C-3P0 complained about in the original trilogy; draw your own conclusions). The sad thing is that the concept of droid rights in Star Wars is nothing new, it came up several times in the old EU. One good example is the old Star Wars RPG having a former TIE Bomber pilot who had cybernetic parts implanted after she suffered from a bad crash and created a pro-Droid movement/cult. The point is, there's no reason why a good character couldn't have come out of that concept. But when the producers are all crowing about how groundbreaking it is to have a female droid in the main cast (Lucas' Prequel trilogy had two female droids as minor characters and Lando even had a droid he flirted with in the EU), it's clear paying homage to the old fluff, or just making a good character, wasn't exactly foremost in their minds when they made L3. Those who enjoyed the idea conceptually were disappointed by how every single scene she is in is rendered unintentionally comedic or hypocritical by obvious reshoots; Lando cries during her death (since apparently they were romantically involved) then afterwards is laughing and delivering one-liners as if she didn't just die less than a minute ago (because in the original cut it almost certainly hadn't). She goes from attempting to inspire R2 units into a revolt against their masters in a scene meant to be humorous to being dismissive of their survival and importance once one of them actually starts to follow her directions in the middle of an action scene. The character who is praised for being a master of her own destiny still behaves as Lando's property, and is technically shoved off into a fate worse than death as Han's, now Rey's, system maintenance AI with no hope of ever getting a freedom other than telling 3-PO to fuck off once.

The rise of the original trilogy

A long long time ago, in a galaxy far far away....etc etc you all know the lines.

A man called George Lucas had the idea to create a series of epic sci-fi space operas that would become so successful that Disney would take notice and give it the franchise fluttering eye lashes, trying to seduce it.

They would be called... Flash Gordon.

Unfortunately for Georgie boy, and fortunately for modern nerddom, Dino de Laurentiis already owned Flash Gordon, and were busy making their own, hilariously eighties version, so he said, screw it, I'll make my own!

He decided to start with the fourth movie in the series he envisioned, for at the time he didn't have the special effects to create the first three to the standard he wanted, and/or he just kinda made up the first move up as he went along (drawing heavily on Akira Kurosawa's seminal samurai action film, Hidden Fortress in the process as well as the book The Hero with a Thousand Faces, a complex 1949 Joseph Campbell analysis of the various mythologies of human history all boiled down into the basic archtypes and elements required in heroic myth). So Episode Four A New Hope was created (simply titled Star Wars at the time) and it is not an exaggeration to say it changed the face of sci-fi and general moviemaking forever, bringing a new era of special effects and imagination to cinema and changing the lives of many who would go onto to become dedicated fan boys.

Originally, the studio had forced Lucas to take ever-increasing paycuts for what they were sure was going to be a flop, and only let him keep merchandising rights. However, whatever his flaws, George Lucas was a man of vision. Having helped pioneer the summer blockbuster, he went on to do the same to ginormous piles of movie-tie-in memorabilia. His production company, Lucasfilm ended up rolling in dosh, and with Episode Five The Empire Strikes Back and Episode Six The Return of the Jedi, the legend of Star Wars and its place in cultural history was assured.

tl;dr: Pretty much this.

The coming of the prequel trilogy

With the year 2000 coming, George Lucas felt that special effects technology had reached the level he wanted and began to create the first three movies in the star wars story he had envisioned. (As a side-note, he also made some touch-ups to the three original films, re-mastering them with special effects and a couple of extra scenes that weren't doable with the eighties' animatronics. But those were mostly accepted/shrugged away since they didn't deeply modify anything.)

The hype for the movies was immense.

And then the first movie, Episode One The Phantom Menace came out.....and there was nerd rage beyond expectation.

Part of the problem was that the immense expectations of the fandom had grown until anything less-than-perfect simply would not do, so perhaps that is somewhat to blame for the reaction to the prequel trilogy. In a vacuum one has to admit that they aren't completely terrible films.

Episode Two Attack of the Clones and Episode Three Revenge of the Sith followed after a few years each and didn't garner nearly as much hatred, though fans complained they didn't match the greatness of the original trilogy, more concerned with flashy action and effects than competent story-telling,

Revenge of the Sith did, however, receive higher ratings than Return of the Jedi, and is generally seen as the best and most-complete of the three prequel films as a story.

What was generally more well received (despite a rocky start with a two hour pilot being pressed into service as a movie and an art style that took some time to gel) during this time for Star Wars was the Clone Wars animated series (both the traditionally-animated Clone Wars and the later seasons of the CGI show The Clone Wars, the latter which most everyone agrees is what the prequels should have been), following the war between the Republic and the Confederacy that sprung up during the time between the second and third of the prequels.

In defense of the prequel trilogy's sins, they did at least do their own thing. Because of how much money the original trilogy made, practically every form of media in the 80s and 90s aped it to some form or another, and instead of falling back on the same old shit the prequels branched out and tried to get out of the franchise's comfort zone a bit. While a lot of it sucked, it blazed a trail for better writers to follow and helped liven up the universe by showing us the galaxy beyond fuckhueg spaceships and faux-Western shitholes like Tatooine. EU writers would mine the prequel trilogy just as they did the originals. And all but the most diehard OT purists can get behind shit like Naboo architecture, the Clone Army and Mace "The Ace" Windu.

Disney and the sequel trilogy

Finally, all the efforts by Disney to woo George Lucas paid off and in 2012 Disney acquired the Star Wars franchise for 4 billion dollars and immediately announced they would produce a new trilogy of films set after the original trilogy.

Expectations were almost as high as the private fears of the fans. Bringing on the creative talent behind the skubtastic Star Trek reboot was equally... well, take a wild guess.

The Mouse Awakens

Star Wars Episode 7: The Force Awakens debuted in December of 2015, and reception was what you would expect: the film was immediately a massive success from a monetary standpoint as everyone (almost) everywhere rushed to the theaters in response to the hype, with children engaging in as many repeat viewings as their parent's money could allow as fans did the same thing with their own. It has become a financial hit with the general public and a (critically) generally well-reviewed piece, with decent cinematography, special effects, technical stuff, etc. It also went on to become the third biggest financial success in film history, when not adjusted for inflation.

Fan response was a good deal more mixed. Many criticize the plot for rehashing Episode IV, without doing anything to establish its own identity and claim that it had a bland main character, who had too many abilities whereas others find the replication of Star Wars feel an acceptable trade and praise it for being a decent action film, and point out the lead doesn't even outdo any of the previous main characters in anything. In fact, some would argue that by rehashing the original trilogy it basically nullified the accomplishments of the original crew; the Empire's still around, they've got yet another superweapon, Han & Leia split up, Luke failed to rebuild the Jedi, etc. Other fans praised it simply for being a new Star Wars that was better than the prequel trilogy.

And at least the jokes were better this time.

Coincidentally, when Hamill and Fisher were originally approached by Disney to reprise their roles as Luke and Leia, they didn't want to do it right from the start. But, they didn't want to give an out-and-out "no" answer either, so they told Disney they'd return if Harrison Ford agreed to return as Han Solo as well. Knowing how much Ford hated Solo, Hamill and Fisher figured they were safe, until Disney irresistibly sweetened the deal for Ford by agreeing to kill off his character, thus forcing a reluctant Hamill and Fisher to make good on their deal.

Disney also released Star Wars: Rebels, their own CGI series, which is actually pretty ok (considering that it airs on Disney XD, it should be no surprise that they've toned down the graphic depictions of gratuitous violence, much to the chagrin of those who love overly gory deaths). It focuses less on the Jedi that have come to dominate the franchise and more on the "boots on the ground" experience of the average characters, and while the show started slow and small, the plot has started to gain momentum as the series has progressed, especially after the first season. The Rebel movement has started to grow, several characters have returned from The Clone Wars, and the enemies the main characters have had to face have been steadily getting darker and more dangerous as more of the Empire’s attention is attracted. When Darth Vader gets involved (played by none other than James Earl Jones himself) he immediately proceeds to open a 24-pack of unstoppable whoop-ass on the rebel scum. The return of Maul resulted in three character deaths (possibly four), the crippling of one main character with another well on his way down the dark side, and to top it all off Maul himself is on the loose once again. Things did not turn out so well last time that happened, so expect the body count to rise, especially with Grand Admiral Thrawn now also coming onto the scene. The show also continues the trend set by The Clone Wars in making the Force mystical again, though whether this is a good or bad thing depends on how you felt about the bullshit scientific skubtastic midichlorian explanation of the Prequels. The animation is on point with The Clone Wars, which considering it's Disney should surprise less than nobody. Oh, and Steve Blum voices one of the main characters. However, it is also noted that Star Wars Rebels may indeed have dark ending, especially if they make the Yuuzhan Vong canon again.

The way that Filoni (the creator of Rebels and The Clone Wars) has handled the Mandalorians, a fan-favorite warrior-culture based upon the Scots and Vikings, has either been met with praise from those who despised Traviss and her overpowering of said culture, or utter RAGE that he turned many of them into either pacifist morons or bloodthirsty barbarians- usually that particular criticism comes from the Traviss fanboys. Do take note, however, that the old ways for the Mandalorians are making their way back into canon, such as the language, the emphasis on martial honor, and the decentralized nature of their government.

December of 2016 brought us the first standalone Star Wars movie, "Rogue One", showing the theft of the original Death Star plans. While "Rogue One" has been criticised for being lacking in character development; (fair warning) literally the entire cast of the movie who doesn't appear in Episode IV dies by the end, and it still manages to pack more than it's fair share of awesome into the movie, with Donnie Yen, Alan Tudyk and Darth Vader all used to great effect. Rogue One also answers several questions, plugs several plot holes, and just generally makes A New Hope make a lot more sense in retrospect. (No wonder Vader wasn't impressed when Leia claimed to be on a "diplomatic mission.") It also has the distinction of being the only Star Wars movie to focus on regular soldiers instead of Jedi. Much, much Skub still exists of course, since no Star Wars movie will ever please all the neckbeards but out of the four post-Disney Star Wars movies released so far, this one is definitely the least divisive and arguably the best of the bunch.

Star Wars 8: The Last Royalty Check (aka zomg Luke dies!)

On December 14 2017, Star Wars Episode 8: The Last Jedi was released world wide. The critical reception was extremely positive, with many critics considering it the best movie in the series since The Empire Strikes Back. The fan reception has been a great deal more mixed, and a number of fans are convinced that Disney leaned on media outlets to shill the new movie or else. If you have watched the Empire Strikes Back, you WILL be disappointed at best, if you want to see a Star Wars film that would finally expand the character of Kylo Ren, you WILL be satisfied, and if you want to watch the film because it is the last film starring the great and wonderful Carrie Fisher, you WILL feel hollow and sad inside. The Last Jedi is seen as one of the most divisive films in the franchise by the fandom, which is one hell of an achievement considering other films in the franchise.

The complaints about The Last Jedi are many: the treatment of Luke (which even his actor, Mark Hamill, hated, to the point that he has no interest in playing Luke again), Leia's Superman asspull, Finn's plot arc that serves practically zero purpose, the forced humor, the complete disregard for established fluff, disregard for even the most basic laws of physics, the fact that the central conflict is essentially the same as the one in the originals right down to the last stand ripped straight out of Empire and the leftist bullshit (an admiral with problem hair who the plot always treats as being in the right despite killing 90% of the Resistance, the Gilded Age planet arc that sucks up a third of the movie to no benefit, Rose expressing her desire to get BLACKED with a horrendous and forced #LoveTrumpsHate one-liner in the final act) added solely to virtue-signal.

Fans have also criticized the movie for dropping or discarding major plot points from TFA and repeatedly invoking Shamalamadingdong-tier plot twists that are somehow less interesting than the recycled cliches they play off of. Director Rian Johnson has responded by shitting on said critics and trying to defend the film on social media like something out of an ED article. (Important note: George Lucas never tried to defend the prequels, despite the huge backlash at the time, and he agreed with fans that The Star Wars Holiday Special was an abomination.) It later came out that Johnson had not been given any kind of roadmap beyond Lucas' old and unfinished concept scripts and was not allowed to see what Abrams had done until TLJ was too far into production to write in most of the previous movie's plot points, which makes the fail Disney's fault just as much as it is Johnson's. As with TFA Lucasfilm has tried to paper over the holes with tie-in material, and just like TFA the fans recognize the damage control.

The Last Jedi has without a doubt torn the fanbase apart in ways even the prequels didn't come close to, with many fans declaring that they have dropped the sequel trilogy. Even Star Wars' famous merchandising has taken a mauling, as /toy/ giggles at Rose Tico and General Hux figures warming shelves while new product shipments go straight from the transport case to the clearance bin.

I'm Solo, Han Solo, Han Solo

On May 25th 2018, the 41st anniversary of the franchise, Solo: A Star Wars Story was released. The general consensus seems to be that it is the most average film in the series. At the very least, most people agree that it is at least better than The Last Jedi (if barely) and the backlash from that movie can be felt even in Solo: many fans have chosen to boycott the movie. Even before release, many fans had derided the whole affair as unnecessary: no one was really asking for a Han Solo origin movie, particularly one without Harrison Ford. Han Solo's entire life history had already been explored thoroughly in EU novels and comics, so the movie could only be a retread or a retcon, both things most fanbases tend to disapprove of. Whether it is because of this boycott or not, something no one expected happened: Solo was a box office bomb. Its opening weekend performed way below expectations and as of this writing, it has only made half of the money it needs for it to break even. Disney still continued to labor under the delusion that China would save their bottom line regardless of the fact that Star Wars has never been popular in China.

So what is it like? Well, rather than being a space opera like the other films, this is a space Western. Rather than being about large-scale battles and saving the galaxy from tyranny, it's about heists and the galactic underworld. (Except for the Mimban sequence, which you'd swear was lifted from a live-action Imperial Guard movie.) It's essentially Disney's reboot/retcon of the old EU Han Solo novels, taking things that were mentioned offhand in the original trilogy (like how Han did the Kessel Run in 12 parsecs) and making that the subject of an entire movie. The film was perhaps cursed from the beginning due to its troubled production. How troubled? The lead needed an acting coach to get through his shoots and 70% of the movie had to be reshot by a different director due to creative differences between Lucasfilm and the original directors.

The fail only compounded when it premiered and fans got to see what those "creative differences" may have wrought: Lando was retconned as a pansexual without any change in the character himself (ironically this controversial change doesn't actually show up in the script), and Han's sidekick for most of the movie is a self-built female droid social justice warrior named L3-37. Audiences cheered and applauded when that manhuman-hating self-insert character finally fucking died. Perhaps the most damning sin is that these are the movie's only notable qualities: take them away and you're left with a movie that would make you think "Huh, that was okay," and then never think about it again for the rest of your life, were it not for the crippling disappointment of seeing one of the most beloved franchises in the world fall so far.

Solo cratered so badly that all non-Episode 9 Star Wars movies were for a short time shelved indefinitely, and the only side-movie still being worked on is the obligatory Boba Fett origin movie, which is more likely to sell tickets based on the name alone. People love to blame/credit the boycotts, The Last Jedi's continued controversy, and certain news outlets claiming that everyone who didn't love it is a Trump supporter, but when you get down to brass tacks the movie is just meh. It's a Han Solo movie that doesn't have Harrison Ford in it, with actors who are decent but not good, action scenes that are decent but not good, continuity ties that are decent but not good. If you have literally nothing better to do it's the best upside-down flying train robbery with laser guns movie you could ever see, but otherwise it's a movie begging to find an audience and never did.

Incidentally, one of the writers picked by Lucasfilm to handle Solo's tie-in content, Cavan Scott, has been hired by Games Workshop for the Warhammer Adventures series.

Expanded Universe

It can be said what makes a franchise into a long term lasting thing is when a wealth of extra story and background is created that expands on the original story far beyond what there was. It could be argued Star Wars leads the race in this, as the sheer amount of extra novels, graphic novels and games based on Star Wars can and does overwhelm the ordinary fan.

The background has expanded into the distant past before the founding of the current Jedi and Sith orders and into the (not-quite-so) far future looking at the descendants of Luke Skywalker and other popular characters. Uniquely, especially considering other franchises' track records, the Star Wars Expanded Universe is remarkably internally consistent, both with other sources within the universe and with the films themselves. Sure, every once in a while the odd problem child such slips through, but on the whole it holds up well (largely due to the efforts of Lucas' company's continuity department leaning on everyone to hold it together).

Disney recently said "fuck it" and threw out everything but the films and the Clone Wars cartoons. New and old stuff are still filtering in, but on a case-by-case basis. Whether or not this is good or bad depends on mostly who you ask, as some feel the EU was filled with nothing but Mary Sues trying to out-Sue one another and a pro-monarchist bias on part of the authors, while others feel as if the stories in the EU were more fleshed out, deeper, and more realistic than the new Disney canon, and a third group who admits the old EU had plenty of good stories and plenty of bad. It would appear that Disney got the message from the third group, as they've brought back fan-favorite antagonist Grand Admiral Thrawn for Star Wars Rebels.

Impact on 1d4chan and associated games etc

Star Wars has had subtle and clear impacts on a number of other franchises and genres and it can be incredibly hard to gauge the extent of it all. Certainly it didn't create the concepts of sci-fi, space battles, sweeping storylines, and a blending of mystical and scientific ideas, but it certainly popularized them during the years of the original trilogy and influenced many people that would go on to have interests in sci-fi, fantasy and epic adventure today.

Hell, look me in the eye and tell me that the lightsaber didn't give us the power weapon. But then again, magic weapons.

The impact on Hollywood and as a result everything inspired or associated by/with Hollywood and pop culture is even more pronounced, transitioning the evolution of American filmmaking from the freefall after the death of movie epics and rise of the "movie brats" generation of writers/directors called "New Hollywood" into the corporate investment and merchandiser mainstreaming of niche culture of today while also shuffling up who makes the crap we buy, specifically the opening for Hasbro to become the Disney of the tabletop as well as everything else that normal adults aren't supposed to be into (video games, comics, toys, and so on).

Sabacc

A rather unusual entry here but it's well in line, Sabacc is an actual tabletop card game from the Star Wars universe which is basically a hybrid of Poker and Blackjack. A Sabacc Deck has 70 cards, most of which in four suits of 16 cards numbered one to 16, plus sixteen wildcards in two sets with values that were either negative or (in the case of the Idiot) Zero. The goal of the game is to have a set of three cards who's total as close as possible to, but not over, 23 or -23. If you got 23/-23 which could only be beaten by an Idiot's Array (One Idiot, a two and a three, thus 23). The stakes are raised every cycle until the cards go down or one player is left standing who gets the pot.

The notable thing about Sabacc that sets it apart from real world card games is that the Cards can change value every turn. A Pure Sabacc can easily become an instant lose 25 and an absolutely lousy hand can become an Idiot's Array. They can be stabilized to fix their value, but everyone knows when you do so. This feature has so far prevented Sabacc from being released in tabletop form as of yet.

Shah-tezh

Canon gives a number of games based on that holographic stop motion chess-like game from A New Hope, with the original in-universe game being called Shah-tezh which is literally just Chess. The pieces were called the Beast, the Counselor, the Craft, the Disciple, the Dowager, the Imperator, the Knight, the Outcast, Vizier, and Imperator. The Imperator is the King of Chess. While we have no visual depiction, the description is just Chess; square checkerboard, white and black pieces and squares, physical game rather than a hologram.

Chess exists in-universe too as a game it inspired, but we don't know how it differs from Shah-tezh. Moebius evolved from Chess, but we don't know anything about that game other than it eventually becoming Dejarik.

Dejarik is the actual game we see in A New Hope, usually played on holograms but in Rogue One there's a physical version of the game being played. Pieces are called the Ghhhk, Grimtaash the Molator, the Houjix, the Kintan strider, the K'lor'slug, the Mantellian Savrip, the Monnok, and the Ng'ok. Each is either a real animal or a mythological creature from across the galaxy. The board is made up of a white circle surrounded by two rings made up of twelve white and black checkered segments each. Both players control a team of monsters, only one of each appearing on the board. An in-universe joke is that Wookies are not allowed to play competitively throughout most of the galaxy since they are notorious for violence when losing.

Supposedly rules to the game were actually created by Lucasfilm, but have never been released for the public (strange for such a merchandised franchise that has made a Star Wars version of literally every single IP-friendly board game to not release their own best advertised one). Fan rules do exist, as do fan models that you can buy.

Tabletop games for Star Wars

Role-playing Games

West End Games made a Star Wars role-playing game called Star Wars: The Roleplaying Game AKA Star Wars D6. Like many West End products, it's a good game with the great misfortune of being published by West End games.

Wizards of the Coast picked up the license later and made two distinct RPGs based on their d20 System, called Star Wars D20 (imaginatively). Could be fun, but generally broken as hell, much like its parent game. It was then utterly revised that into what they called the Saga Edition, which is relatively balanced and pretty good.

Fantasy Flight Games is presently selling a whole line of Star Wars-themed RPGs, whether you want to play a bunch of scruffy space outlaws, members of the nascent Rebellion, or exiled Jedi Knights. Unlike their Warhammer 40,000 Roleplay games, which are all juuuuust different enough from one another to completely buttfuck any attempts at blending, all three gamelines use identical mechanics and are fully cross-compatible. Uses symbol-counting dice pools with ludicrously overpriced custom dice. Like the other RPGs they decided with the retardedly similar name, and thus this one is sometimes called Star Wars FFG to avoid confusion.

FFG have kept milking the franchise and in summer 2017, decided to reanimate the Star Wars: The Roleplaying Game with a "30th Year Anniversary Edition" print of the original game. It finally shipped in July 2018 after spending a year in limbo.

Card Games

The big card game set in the Star Wars universe is the Star Wars Customizable Card Game. It's no longer produced by Decipher, but there is still a sufficiently large player community to organize annual tournaments, rule on cards, and so on.

Wizards of the Coast made the Star Wars Trading Card Game.

Fantasy Flight Games is presently selling Star Wars: The Card Game.

Obviously, nobody is capable of creating a Star Wars card game with an interesting name.

Miniature Games

Wizards of the Coast did a tabletop battles game imaginatively called Star Wars: Miniatures, based on an extremely dumbed down version of the D&D ruleset. The figures were meant to tie in with the Saga edition RPG, it wasn't terrible on its own, just impossible to collect for competitive play since figures came in random booster packs so you never know what you were getting for what faction. Who could possibly stand for that?

Fantasy Flight Games is producing the X-Wing miniatures game based on individual starfighter combat (because, let's be honest, that's what Star Wars is all about). They have also released Star Wars: Armada which is a larger scale "fleet" combat simulator, using capital ships and squadrons of starfighters.

Star Wars: Imperial Assault

The latest Fantasy Flight Games addition to its Star Wars related games is a mix between a miniature board game and a skirmish wargame. It has two play modes:

One for campaign play where 1-4 players control a team of Republic heroes and another player has the role of the DM, who controls the Imperial forces. The campaign, as the name suggests, focuses on character personalization, xp gain and the like, which you can find in any light RPG-esque (board)game. The main goal is to get a few friends together and casually play through the missions. Think of it as a Star Wars version of the original Hero Quest.

The other play mode is skirmish play, where two players each get to assemble a team of miniatures plus a command deck (cards that have specific effects when played) and play against each other in an open-play scenario. The play area is still very limited to a few game tiles (as in a campaign mission) but players are free to bring whatever they want (wit ha few limitations of course). The skirmish part of Imperial assault is as close as you can get to an actual Star Wars skirmish wargame, but it is a missed opportunity from Fantasy Flight to create a true skirmish wargame (ala Infinity), not based on tiles and so confined spaces. Who knows what they have plans for though...

Star Wars Legion

And Fantasy Flight have now given us a fully fledged wargame, complete with AT-ST in the first wave. (They're 32mm scale, which means no reusing your Imperial Assault miniatures.) Legion has an integrated turn system, and the usual FF custom dice and forest worth of dead trees in cards and tokens that will be familiar to X-Wing and Armada players. The miniatures are PVC, reasonably detailed, easy to assemble pieces. A standard battle is 800 points, which could be anywhere from half a dozen to 16 units on the field, with an average army fielding 8-12 units comprising 30-ish models.

See Also:

  • Darths & Droids: A webcomic, made using photo-stills of the Star Wars movies to tell a story about gamers blundering through each of the six movies in sequence... though not quite exactly how you might expect. Think DM of the Rings in overall visual style, though unlike DM of the Rings, Darths & Droids features several heavy twists on the actual events of the films, subplots about the players and their lives outside the game alongside the campaign, and a better overall quality of gamer.
  • Timothy Zahn
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