Approved Cartoons: Difference between revisions

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*'''Jumanji''': Like a lot successful and semi-successful films, Jumanji ended up with a follow-up cartoon. While the art style is (intentionally) weird, the episodes are amazingly mineable for campaigns and world-building ideas.
*'''Jumanji''': Like a lot successful and semi-successful films, Jumanji ended up with a follow-up cartoon. While the art style is (intentionally) weird, the episodes are amazingly mineable for campaigns and world-building ideas.


*'''Love, Death & Robots''': An animated anthology series that's all over the place, from comedy to cosmic horror and from pure skub for easy clickbait to genuinely good content, but remains very minable. Shorts "Sucker of Souls", "Lucky 13", "Good Hunting" and especially "[[Warp|Beyond the Aquila Rift]]" and "[[Delta_Green|The Secret War]]" are very much approved.
*'''Love, Death & Robots''': An animated anthology series that's all over the place, from comedy to cosmic horror and from pure skub for easy clickbait to genuinely good content, but remains very minable. Shorts "[[Vampire|Sucker of Souls]]", "[[Machine_Spirit|Lucky 13]]", "[[Kitsune|Good Hunting]]" and especially "[[Warp|Beyond the Aquila Rift]]" and "[[Delta_Green|The Secret War]]" are very much approved.


*'''The New Adventures of Ocean Girl''': An Australian animated series, predominately aimed at teenage girls, but coming in a package with a complex world full of original races. Good world-building and bunch of interesting plot hooks and easy-to-reuse plot twists.
*'''The New Adventures of Ocean Girl''': An Australian animated series, predominately aimed at teenage girls, but coming in a package with a complex world full of original races. Good world-building and bunch of interesting plot hooks and easy-to-reuse plot twists.

Revision as of 17:01, 15 October 2019

This is a /co/ related article, which we allow because we find it interesting or we can't be bothered to delete it.

This is a list of /tg/ approved cartoons, organized loosely into genres. This list was only recently split from the television page, so feel free to contribute; try to keep to the formatting used in the anime page, and fix any deviations (episode counts, related games) that you can.

Action

  • The Adventures of the Galaxy Rangers: 80s cartoons were all just merch-driven crap... aside this gem. Amazingly high quality show, which is still perfectly watchable today (unlike pretty much anything else from the 80s). Mostly famous for combining space exploration, western and alien invasion, without falling into camp. Oh, and killing characters left and right. Think about it as a prototype Exosquad. Also, kick-ass music.
  • The Adventures of Tintin. If you somehow never heard about Tintin, you are either American or were raised in a barn. The series is a very faithful adaptation of classic Franco-Belgian comics series, combining quality animation, great source material and the pulpy adventure feeling. Think Indiana Jones, but with a reporter instead of an action archeologist. And just like the source material, the series swiftly balances humor, pulp qualities and serious, often dark themes (there is on average at least one dead body per episode and this is still a kid-friendly show).
  • Exosquad: The European Front of World War II IN SPACE with Mechs and Power Armor. It is well plotted and can get surprisingly dark for what is supposed to be a kids show with a very high body count, policies of extermination through starvation and genocide. Even so it suffered from having a small budget and a few sub par designs.
  • Gargoyles: Disney's serious response to Batman: TAS (as opposed to Disney's satirical response to Batman: TAS of Darkwing Duck, which was pretty damn good itself if a bit more conventionally cartoony). Some Gargoyles (a race of winged strong humanoid creatures that turn into stone during the day, rather than mere architectural adornments) live in Scotland the middle ages fighting Vikings, get betrayed, frozen in stone and are re-awakened in modern New York by a businessman who could give Tzeentch lessons in plotting played by William Riker. That is just the beginning, as there are also stories of betrayal, robots, suits of power armor, cyborgs and a fair number of magical things borrowing from a variety of mythological sources, but most notably the works of William Shakespeare.
  • The Legend of Calamity Jane: A too-good-to-last 90s cult classic. Probably the best "serious" animated western. Since it wasn't exactly made with kids in mind, it provides a lot of mature content. Which is the main reason why moral watchdogs killed it after just 13 episodes.
  • Roughnecks: Starship Troopers Chronicles: Take the best parts of the book and film and none of the crap. One of the early CGI shows (and it shows) cut short due to budget (as in just short of the ending).
  • Samurai Jack: A wandering samurai lost in the future kicks ass and saves lives in his quest to get home. Elegance in simplicity. Amazing animation. Kaldor Draigo wishes he could be this cool. Finally got a conclusion on Adult Swim after years in limbo and the tragic death of the villain's VA.
  • Star Wars The Clone Wars: Not to be confused with the other one from 2005. A TV series that started out bad and gradually got better, while also injecting gradually enough grimdark to make some question how this show was for kids. Include the awesomness that is the Clone Troopers and their incredibly talented VA, who was starred in several of the shows on this list, great character development all over the board and smart ass one-liners. Really just did a fantastic job with the lore and expanding the universe.
  • Todd McFarlane's Spawn: Imagine a world where animated series aren't related with kids and "animated" doesn't mean "low quality". That's the world from which Spawn was accidentally teleported from. Dark as fuck, it plays anti-hero dial so high you seriously wonder if the guy can even quality as a nominal hero at all. Worth even for the imagery alone.
  • War Planets/Shadow Raiders: Forgotten third show from Mainframe in the 90s, alongside Reboot and Beast Wars. Four alien races that have been screwing each other over for thousands of years because they need the resources of each other's worlds have to put aside their difference in the face of a common foe -- a "Beast Planet" that devours entire worlds and their civilisations whole, overwhelming its prey first with armies of mindless drones. Very intense, very good characters, plenty of action. The Beast Planet is kind of a "Necrons imitating Tyranids" enigma, which may be a good or a bad thing.

Capeshit

  • Avengers: Earth's Mightiest Heroes: A Marvel animated series about the titular Avengers. Unlike the later Avengers Assemble show, it relies primarily on the comics for it's inspiration rather than the Marvel Cinematic Universe. Also unlike the later Avengers show, it's actually good. Does a good job at balancing "monster of the week" episodes with a couple of running plot arcs across two seasons.
  • Batman: The Animated Series: In a time when most cartoons were still glorified half hour toy commercials BtAS dared to defy convention with a dark art style, darker themes, and characters you actually gave a shit about. This show was so iconic that a lot of the stuff you think was from the comic book (Harley Quinn, Mr. Freeze's wife) actually started here. This should be mandatory viewing for people making Batman films.
  • Batman: Beyond: Sequel to the above series about a future Gotham where Bruce Wayne is a cranky old man who had to give up being Batman due to heart problems, in which a teenager is reluctantly accepted as a replacement Batman, using cyber-armor that is basically the batsuit sans cape but with rocket boots. Aside being a worthy contender for best animated Batman, it's also a great mine for cyberpunk ideas and storylines.
  • The Justice League & The Justice League: Unlimited: More of the same cape stuff. These times with Superman & Batman are: Wonder Woman (WONDER WOMAN!), The Flash, Green Lantern (token black guy), Martian Manhunter (token green guy), Hawk Girl, and The Flash.
  • Spider-Man: The Animated Series: One of the series that were Marvel's attempt to challenge the DC Animated Universe, most of which (Batman TAS, Batman Beyond, Superman TAS, Justice League) are already mentioned here. Whilst hindered by an absolutely insane chief executive who labeled ludicrous restrictions on the show (for example, Spidey was never allowed to be shown punching people), it had an amazingly creative writing team who managed to miraculously pull off a decent cartoon despite her. Drawing heavily from the 90s and late 80s comic, it had season-long story arcs, actual character development, and plenty of fantastical action sequences. It's not as good as BtAS due to a lesser budget and the aforementioned restrictions, but it is generally considered the absolute best of the Spidey cartoons, saving perhaps maybe the Spectacular Spider-Man from the early 2000s.
  • Spider-Man 1966: One of several series of "motion comics" that Marvel put out in the 1960s, including ones for the Fantastic Four, the Incredible Hulk, Captain America, Iron Man and Thor. Limited animation, but the visuals and the plots are so batshit insane that it's worth watching just for laughs. A legendary fountain of memes on /tg/.
  • Superman: The Animated Series: About the same quality of writing as the latest episodes of B:tAS (Bad, don't listen to the fanboys). This features 'the' seminal, if less popular, superhero: Superman from the planet Krypton. Made largely by the same crew as the above Batman, this series is another of the so christened 'Timmverse' that ended with...
  • Teen Titans (2003): Unlike the erratic shittiness that is Go! this series is pretty good, but barely makes it onto this list. It stars a group of DC characters no one usually knew about until this show (unless you read the comics). It had mostly good character development and it had the Half-Demon awesomeness that is Raven. However, it's bogged down by bipolar tone (keeps shifting between goofy humor and serious drama, albeit not as badly as Hellsing Ultimate), a shitty character that dares to name herself after Holy Terra, and some bullshit plot devices. Hilariously, there is a villain that is literally a combination of a Neckbeard and a 4chan board full of skub
  • Transformers: Near-legendary multi-series franchise dating back to the mid-80s, all of which revolve, in some way, around giant alien robots fighting a war that has been raging for millions of years without end. Different series have different aspects, so pick carefully.
  • X-Men: The Animated Series: One of the sister shows to the aforementioned SMtAS, and generally regarded of the best of them. Takes all of Spidey's creativity and faithfulness to the comics, lifts some of the restrictions, but also piles on an extra serving of ham and cheese. The story goes the voice actors were Shakespearean theatre trainees and couldn't quite get the hang of toning it down. Still, if you like voluptuous Southern belles suplexing giant robots whilst their hot African weather witch partner rants like an angry goddess, you've come to the right show.
  • Young Justice: A DC animated show wherein Batman recruits the sidekicks and super-powered relatives of various heroes to serve as a black ops team for the Justice League. In spite of starring a bunch of teenagers, everyone still gets decent character development when the show isn't trying to be Dawson's Creek with superpowers. Unfortunately canceled because the execs felt it wasn't toyetic enough. Recently renewed for a third season to drive subscriptions for DC's exclusive streaming service.

Comedy

  • Adventure Time. tl;dr: A kids cartoon made by a DnD nerd. Starts off random is funny, and never really gives up on that, but slowly reveals itself to be set in a Grimdark post-apocalyptic fantasy world inhabited by mutants and whatever remains of Earth's original animal population. The main character is one of the few humans left alive. Had a lot of potential but was ruined by talentless noodle animation and excessively grimderp "real world problems" writing. Written to be accessible to both adults and kids, so oldfags can watch the earlier episodes with their hellspawn, should they wish. Also, you want to fuck the vampire.
  • Archer. Think "Arrested Development" meets James Bond. It's an adventure comedy about an alcoholic man-child, who just so happens to be the world's most dangerous secret agent, and his equally deranged co-workers which include, but are not limited to; a sex addict accountant, a sadistic pyromaniac ditz, a bare-knuckle boxing Human Resource manager, a sassy black woman with abnormally large hands, the main-character's narcissistic mother, and a mad nazi scientist. Hilarious, ultra quotable, and great source material for secret agent role-playing.
  • Rick and Morty: /tg/: the series. A comedy about an alcoholic mad scientist's adventures with his wimpy grandson. Has a instantly recognizable blend of fart humor and soul-crushing Nietzschean/Lovecraftian philosophy. Manages to pack a good amount of emotional punches with enough fun adventures and sci-fi/pop culture references to keep even the most stoic entertained. The third season is forever skub after the showrunner decided to replace the original writers with an all female team; speculated reasons range from "muh diversity" to "because I felt like it" but everyone agrees that it's just not the same. Reddit loves this series for the lolrandom bullshit and ebin pop culture references, so mention it on 4chan at your own peril, but it's still got some neato ideas for Genius: The Transgression campaigns.
  • The Venture Bros. An absurd parody of Johnny Quest, 60's animated shows, comic books, and pretty much every action franchise ever. Episodes primarily theme around failure (so great for 4chan) and absurd comedy. Can be hilarious but like Austin Powers, it's hard to appreciate the comedy of it unless you've seen the source material.

Fantasy

  • Avatar: The Last Airbender Considered by many to be a gold standard for animated shows in the 00'es and one of the best Western made narrative shows, it has garnered many a fan for their funny characters, deep story lines, character development and Asian-but-not-weeaboo flavor. The sequel series, Legend of Korra, is rather skubtastic and regarded as only good for Rule 34 by much of /co/.
  • Conan the Adventurer: A surprisingly good cartoon from the early 90s based off of, what else? Conan the Barbarian. Probably best known for its rocking opening theme (WARRIOR WITHOUT FEAR!), but it's surprisingly mineable for Dungeons & Dragons and has a lot of actual novel lore scattered through the kid-friendly stuff.
  • Dungeons & Dragons: An absolute classic, worth watching even for the sake of the status alone. While the series still shows a lot of potential, most of it was wasted on too short episodes made on shoe-string budget. Being partially entangled into the Satanic Panic didn't help either. Still, worth watching. Just bring beer and friends. And a notepad for oldschool ideas.
  • Jumanji: Like a lot successful and semi-successful films, Jumanji ended up with a follow-up cartoon. While the art style is (intentionally) weird, the episodes are amazingly mineable for campaigns and world-building ideas.
  • The New Adventures of Ocean Girl: An Australian animated series, predominately aimed at teenage girls, but coming in a package with a complex world full of original races. Good world-building and bunch of interesting plot hooks and easy-to-reuse plot twists.
  • Omer and the Starchild: A French animated series. A truly rich world-building mixed with a lot of New Age imagery and surprisingly dark story for a kids show. The series follows adventures of Dan, the titular Starchild, in his quest to free "Twelve Wizards" and unite them against the evil Morkhan.
  • Papyrus: An animated adaptation of Franco-Belgian comics. An epic tale of a young fisherman tangled into the conflict between Egyptian gods, tasked with the mission of freeing Horus and putting end to the reign of Seth... regardless if Papyrus himself wants to or not being a plaything of gods.

Unapproved, But Mineable

Any cartoons that have /tg/-worthy subject matter but don't really merit the /tg/ seal of approval go here.

  • Steven Universe: This series isn't on the list because its writing, plotting, character design, or animation are in any way worthwhile. This series is on the list because its premise is absolutely kickass. Thousands of years ago, a caste-based race of mineral-based "Crystal Gems" with holographic bodies dominated the galaxy, draining planet after planet of life to fuel their parasitic reproduction. A small band of Gems refused to let this continue, rebelling against their masters and shattering their empire at great cost to both sides. Now, a small cadre of Gems remains on the planet Earth, protecting humanity from the monsters their civil war left behind and raising the rebel leader's "son," a human boy infused with her power and essence. Unfortunately, he's kind of a fuckup, and he's going to have to learn how to use his powers fast because the Gem empire is coming back for round two. Surprisingly mineable for campaign and adventure ideas, when it decides to stop being hollow slice of life and gets its ass in gear. Warning: prolonged viewing may cause SAN loss.
  • Sonic the Hedgehog AKA Sonic SatAM: A animated adaption of Sonic the Hedgehog. Well regarded by fans as something of a cult classic. Do be warned it is full of 90's cheese, it was a Saturday morning cartoon meant to make money off of a cartoon character after all. On special note is Jim Cummings in one of the better depictions of Dr. Robotnik. Also features one of the better depictions of nature vs industrialization, less green Aesop and more freedom from slavery. Mineable for concept and a villain. Possibly even watched by the God-Emperor of Mankind. The Archie comic is also of note since it does technically continue the story, though do be warned of Ken Penders. He is considered the Matt Ward of the Sonic Fandom.
  • Tigtone: Similar to Adventure Time but even more insane and a lot more bloody. The surreal adventures of a murderhobo named Tigtone who is obsessed with completing quests, writing about his quests in his journal, and shouting his own name. Takes place in a world that runs on a mixture of video game and dream logic. Has a unique animation style created with realistic paintings brought to life with motion capture to look deliberately uncanny like a poorly animated video game but also strangely beautiful.